Japanese Calligraphy Challenge

The other day, I was asked to write/draw an Australian name, using Japanese calligraphy by one of my sister-in-laws. Actually her son wanted me to write his new born baby boy’s name.

Some years ago I created a Japanese calligraphy for my sister-in-law’s grandchildren but I have not practised calligraphy much since then. So I was not sure if I could draw the name well. But I decided to do it for them even though I am an amateur calligrapher.


I took my old brush and some good quality paper and started to practise. It took a long time to get the hang of it. I practised in the early morning and the day time over the recent weekend. But I could not produce something I was happy with.

So my practice went into the night ….. until my arm got tired. I started to get worried because paper was running out.


At the end of the day, I was not still happy with what I was doing. I knew that it was difficult to produce something “perfect”, but at least I wanted to create something special for my law’s son.


The next day. I was looking at what I did the day before and I had to admit that I could not make any progress. Then after a long while, an inspiration came to me when I was about to give up. It whispered to me “CHANGE THE BRUSH”.


There it is! After I changed my old brush to a lighter version, my writing got smoother and effortless. I was happy with the result after about five times of practice.

Above, the calligraphy says T***E. I do not want to mention the real name since this is an online journal. For this name though, it was difficult to find exact sounds. But I figured the name out from a Naming Dictionary in Japanese. T***E consists of three Japanese characters. The first letter represents “precious”, the second one says “embracement” and the last one’s meaning is “flow”.

When I have to come up with the idea for naming from English to Japanese, I care about the meanings of each Kanji character as well as their sounds. My interpretation might not be perfect but I would like to think that it is good enough.


I decided to create another calligraphy for another one of my sister-in-laws’ grandsons for an extra gift. When I wrote/drew a calligraphy for C**N some years ago, I did it with a formal/classic style of calligraphy. But this time, I changed not only the Japanese characters but also toward a flowing and artistic style. I have practised classic style of calligraphy at first but I realised that I am no longer good at it.

Anyway, there are two Japanese characters in C**N. The first one represents “happiness” and the second one says “gorgeous or elegant”. C**N’s name is supposed to be strong and masculine because it is a name for a boy but I think a boy can have an elegant name, too.

So that is it! I wish my sister-in-law and her son will like the calligraphy and I hope I was helpful for my family.

Best of luck,


Sustainable/ Eco Fashion (Hats)

In the previous post, I mentioned sustainability about using scrap cloth. For a long time, I had the idea of utilising scraps to create something interesting but I never tried it.

I really love loose hats. Finding suitable hats on my head with the right colour and the design I like is difficult in most cases. That is the reason I would like to make hats for myself when I have some extra scrap fabric. I used to make things with black all the time but I sometimes need a change. This time, I decided to use other colours to proceed with an eco/sustainable hat project.


Below is the first trial. The material is khaki green, middle thickness cotton jersey. I made a little ruffled ribbon as an adornment on the side of the hat. I like the combination of the cotton and satin of the ribbon.


For this next hat, I found an old blue dress I no longer wear so I decided to use it for a loose headband. Again I made a little corsage as a feature for the headband. The blue looks so bright against black and I like the contrast.


In this next one, the black and white fabric came from another dress. The fabric is stretchy crepe and it is good quality, so I decided to recycle it for this project. I had a beaded black ornament I wanted to use for a long time and this project suited it.


The last one. The fabric is simple red jersey and the surface has become fluffy because of a lot of use. I had the iron on red ornament on my cupboard and I thought this would suit with the red jersey so I mixed them together.

If you have some scraps, I recommend that you try and make something unique and special for yourself.

Be individual.



Sustainable Fashion Experiment

In the world today, we are wasting enormous amount of things; food, water, electricity, packaging etc. And for fashion industries, we have to admit that we are wasting vast amount of fabrics. One of the reasons is because the human body is curved and there are no straight lines. So in most cases, patterns are also curved. When you place patterns with curved lines on a rectangular fabric, waste will occur inevitably. For me, I would like to avoid having so much waste. But usually I cannot create designs without waste. When that happens, I tend to keep some scraps for later use.

On this blog, I want to use some scraps that I have accumulated as a feature on a garment. I decided to use some scraps of faux fur to make a new garment. First of all, I cut them freely to make shapes. Secondly, I placed them randomly on 1.7 meters of linen fabric. Finally, I simply stitched the fur on top of the linen and made them into an applique fabric.


From this point is the fun part. Putting the applique fabric on the dress form, shifting and moving around and trying to see if I could get the design I like. I added some more fur as I went.

Since the fabric was a simple rectangle, I was expecting to create some kind of wrap, but I did not know how the final result would look like.


Finally, I decided the position as a wrap coat and cut  armholes. I finished all the edges neatly and attached some hooks for closure.

By the way, I am holding a fringed bag on my right hand. That may look like a part of the design, but it is not.

It is a linen wrap sleeveless coat but the little fur attachments give me warmth. So I could wear this in winter as well as other seasons.

Scraps can be useful for an interesting effect so it is a good idea to keep some of the good ones for the future use.





Pleasure of Draping

In the previous post, I explained my appreciation for draping. Draping is a method to create a design with fabric straight on to a dress form. By doing so, you could get a rough idea how your imagination would be manifested on a human body.

In this post, I want to share one of the simplest approaches of draping for people who would like to create clothing on a dress form, but you do not know how to proceed.

What I can say for a beginner, you do not have to think too much about the rules of draping. Instead, just try playing around with fabric on a form. Find some lightweight fabric that drapes well so that it is easier for you to deal with. Then you can simply start pinning the fabric on a form using a design you would like to try and wear.


Again, draping is a creative way of expressing your vision on a dress form and it needs a lot of practice and skills to master. But it does not have to be always technical and difficult.

The beauty of draping is that you can train your eyes and sense of balance as you pin the fabric on the form. You can acquire the knowledge of the space between the fabric and the body. You will also cultivate the understanding of the relationship between the fabric and gravity. You may have to make many attempts in order to fathom the depth of draping. But if you are willing to pursue it, in the end, you will be able to express your individuality and uniqueness with draped clothing.

The photo above is a simple draping method I applied for this trial. I just pinned some fabric on an old singlet and stitched the draped part on top of it. It is simple but you can create a special garment for yourself.

Happy expressing your creativity!

Powerful questions about life

I found some questions about life on the Internet and I wanted to answer a couple of them.

(1) At what time in your recent past have you felt most passionate and alive?

I started sewing about seven years ago. My husband bought a new sewing machine for my birthday. My husband and I just moved to a new place and he thought I should have something to do for fun at the new environment.

It turned out, I like sewing very much and it has been the saviour for my sanity. I gradually wanted to design the garments I would like to wear for myself as opposed to buying commercial patterns that someone else had already designed. So I started to learn pattern making in Adelaide, South Australia. I also went overseas, participated in workshops and a summer school to learn more about the different type of techniques of designing clothes. I have done online courses and have studied books and dvds about the skills I want to achieve. I have read about the fashion designers I have really adored and admired. But fundamentally, I have taught myself with many attempts of trial and error.

One of the techniques that I love most is called “draping”. It is basically working on a dress form to create the design one desires, rather than making patterns on paper. I like the way of playing around with the fabric on the form to sculpt and create unusual effects on a garment. Draping is artistic.

While I am working with the dress form and fabric, I am not concern about everyday worries. And before I know it, I am in stillness. I usually wonder where the time goes. It made me realise in that moment, I am extremely content.

IMG_8672_Blurb-3This is me, draping on a dress form.

(2) What one piece of advice would you offer to a child?

What I would say to a child is “do what you love to do”. I did not really know this notion for a long long time. I wish my parents had told me when I was a child.

When I look back, I did the things I did not like to do. The jobs were the primary thing. I was a rebel when I was young because I did not want to be a “normal” person. But still I chose jobs I did not like. The reason was to make my mother happy. I did not do it consciously, it happened subconsciously. My mom kept telling me to get a safe job but that kept me away from pursuing my dream. I argued a lot with her about my choices and other life decisions. Unfortunately she disagreed with my desires and wishes if they were to be out of ordinary every single time.

But I now know that my mom did the best she could to protect me. When I think all about what my mom had told me during my life time in Japan, she taught me many good,  practical things in life too. So in the end, without a question, I am grateful for what she did.

In conclusion, if I have a chance to talk to children, I would tell them to find what they love to do and pursue it with their enthusiasm and passion. That will lead to happiness in their lives.

This is my flowing style of calligraphy which is called SOHSHO. It says “Do what your heart loves to do“. My red inked HANKO,which is a Japanese stamp made of wood, says my given name.

Thanks for visiting!